In a few more weeks, Emergence will be making its way onto reader’s Kindles (or hands, if they prefer print). I’ll also be sending copies off to advanced reviewers and my newsletter subscribers (hint: you can sign-up for that here) prior to the official release on May 4.
A little bit of time has passed between Convergence and this sequel, in both the real world and in my little DRMR bookverse, but Emergence is very much a continuation of the story begun in the prior novel. This is definitely a Read In Order kind of series. But, Emergence is also a little bit different than its predecessor – there’s lots more action, a good deal of technological horrors run amok, and a bit of a shake-up to the cast. Jonah Everitt was the main protag in Convergence, but his daughter, Mesa, is the central lead this time around.
In my own opinion, I think Emergence is a stronger work. I had so much fun writing this book, and I think (and hope!) that shines through. Mesa is a great character to write, and unfortunately we didn’t get to see too much of her last time around. Now, she’s right where she belongs and plays a much more integral role to the crazy shenanigans. This is her book, her story, and I wouldn’t have it any other way.
If you haven’t checked out Convergence yet, you’ve got a couple weeks to get caught up. You can buy it here, or check it out for free if you’re a Kindle Unlimited member or have a free borrow available for this month via the Kindle Owner’s Lending Library.
Onward with the show then. Directly below is the skinny of Emergence, and then the cover art! Scroll on down!
Still recovering from the events that befell her in Los Angeles, Mesa Everitt is learning how to rebuild her life.
The murder of a memorialist enclave changes all of that and sets into motion a series of violence that forces her into hiding.
Hunted by a squad of corporate mercenaries, with the lives of her friends and family in danger, Mesa has no one to turn to, but she holds a dark secret inside her skull. She has no knowledge of that secret, but it is worth killing for.
The ghosts of her haunted, forgotten past are about to emerge.
Any accolades for the cover are due entirely to Glendon Haddix at Streetlight Graphics for the wonderful design.
The first order of business was to keep the cover in line with what had come before, and to help define a sort of branding look for this still-young DRMR series, but to also give it a different spin and a certain freshness. Mission accomplished, I think, and I absolutely love the look and feel of the art here.
What say you, keen readers? Feel free to share your thoughts below!